* THE INSTANT NEW YORK TIMES BESTSELLER * A New York Times Book Review Editors' Choice * A Times Best Science and Environment Book of 2023 *

“Exceptional. . . Forceful, engaging and funny . . . This book will make you happy to live on this planet — a good thing, because you’re not leaving anytime soon.” —New York Times Book Review

From the bestselling authors of Soonish, a brilliant and hilarious off-world investigation into space settlement

Earth is not well. The promise of starting life anew somewhere far, far away—no climate change, no war, no Twitter—beckons, and settling the stars finally seems within our grasp. Or is it? Critically acclaimed, bestselling authors Kelly and Zach Weinersmith set out to write the essential guide to a glorious future of space settlements, but after years of research, they aren’t so sure it’s a good idea. Space technologies and space business are progressing fast, but we lack the knowledge needed to have space kids, build space farms, and create space nations in a way that doesn’t spark conflict back home. In a world hurtling toward human expansion into space, A City on Mars investigates whether the dream of new worlds won’t create nightmares, both for settlers and the people they leave behind. In the process, the Weinersmiths answer every question about space you’ve ever wondered about, and many you’ve never considered:

Can you make babies in space? Should corporations govern space settlements? What about space war? Are we headed for a housing crisis on the Moon’s Peaks of Eternal Light—and what happens if you’re left in the Craters of Eternal Darkness? Why do astronauts love taco sauce? Speaking of meals, what’s the legal status of space cannibalism?

With deep expertise, a winning sense of humor, and art from the beloved creator of Saturday Morning Breakfast Cereal, the Weinersmiths investigate perhaps the biggest questions humanity will ever ask itself—whether and how to become multiplanetary.

Get in, we’re going to Mars.

“Don’t Call Me Home is about madness and love. Alexandra tells the best stories about her extraordinary childhood as she travels the world with her mother Viva. Wit and wisdom wrapped and bound with love.” --Debbie Harry

“Alexandra Auder’s Don’t Call Me Home is thrumming with life, in all its absurdity, vividness, and gunk. I literally laughed and cried, and cheered hard throughout for our intrepid narrator, who has gifted us an incomparable tale.”--Maggie Nelson author of The Argonauts and On Freedom

A moving and wickedly funny memoir about one woman’s life as the daughter of a Warhol superstar and the intimate bonds of mother-daughter relationships

Alexandra Auder’s life began at the Chelsea Hotel—New York City’s infamous bohemian hangout—when her mother, Viva, a longtime resident of the hotel and one of Andy Warhol’s superstars, went into labor in the lobby. These first moments of Alexandra’s life, documented by her filmmaker father, Michel Auder, portended the whirlwind childhood and teen years that she would go on to have.

At the center of it all is Viva: a glamorous, larger-than-life woman with mercurial moods, who brings Alexandra with her on the road from gig to gig, splitting time between a home in Connecticut and Alexandra’s father’s loft in 1980s Tribeca, then moving back again to the Chelsea Hotel and spending summers with Viva’s upper-middle-class, conservative, hyperpatriarchal family of origin.

In Don’t Call Me Home, Alexandra meditates on the seedy glory of being raised by two counterculture icons, from walking a pet goat around Chelsea and joining the Squat Theatre company to coparenting her younger sister, Gaby, with her mother and partying in East Village nightclubs. Flitting between this world and her present-day life as a yoga instructor, actress, mother, wife, and much-loved Instagram provocateur, Alexandra weaves a stunning, moving, and hilarious portrait of a family and what it means to move away from being your mother’s daughter into being a person of your own.

An irresistible and sweeping love story that follows two Portuguese refugees who flee religious violence and reignite their budding romance in Civil-War America.

“Vaz's work is gorgeous at every level—singing sentences and pull-you-in plot. She is the real thing, an American treasure.” —Tayari Jones, New York Times bestselling author of An American Marriage

John Alves, son of a famous Presbyterian martyr on the Portuguese island of Madeira, spends his childhood in jail and in poverty. When he meets Mary Freitas—though the adopted daughter of a master botanist, her true lineage is the subject of dangerous rumor—a spark kindles a lasting bond. But soon their families must confront the rising blood tide of warfare between Catholics and Protestants. Fleeing with only what they can carry, John and Mary are separated and arrive at different times and places in a rapidly growing and changing mid-nineteenth-century Illinois.

Years later, John settles into his life as an educator at Jacksonville’s nationally renowned school for the deaf, and Mary is a gardener in Springfield for handsome, wealthy Edward Moore. After John and Mary reconnect, the home of rising politician Abraham Lincoln provides a prime setting for their courtship. But conflict looms on the horizon, and John is torn. Should he join the Union army to prove his loyalty to his new country, or should he stay to fight for the chance to make a life with the one he loves?

And should Mary accept Edward’s marriage proposal since he is a partner in her business of selling the miracle-berry fruit she transported from Madeira, or should she choose her passion for John? Social jealousies and betrayals compound the obstacles unleashed by the Civil War.

In poignant and lyrical prose, Katherine Vaz’s Above the Salt is a captivating and beautiful tribute to the power of true love and the sacrifices we make to harness it.

“In Britney Spears’s memoir, she’s stronger than ever.” —The New York Times

The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope.

In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history.

Written with remarkable candor and humor, Spears’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.

James Ellroy—Demon Dog of American Letters—goes straight to the tragic heart of 1962 Hollywood with a wild riff on the Marilyn Monroe death myth in an astonishing, behind-the-headlines crime epic.

Los Angeles, August 4, 1962. The city broils through a midsummer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker’s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.

The freewheeling Freddy O: tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim “Opportunity is love.” Freddy gets to work. He dimly perceives Marilyn Monroe’s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe’s horrific last charade through a nightmare L.A. that he served to create — and as he confronts his complicity and his own raging madness.

It’s the Summer of ’62, baby. Freddy O’s got a hot date with history. The savage Sixties are ready to pop. It’s just a shot away.

The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama and an unparalleled thrill ride. It is, resoundingly, the great American crime novel.

2023 Barnes & Noble Discover Prize Winner
Carnegie Medal for Excellence in Fiction Finalist

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years

"A stunning debut about love, race, brutality, and the balm of forgiveness." —People, A Best New Book

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.

In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors." —The New York Times Book Review

A heartfelt and delicately crafted debut novel about two young women who become entangled in one another and embark on a surprising journey of self-discovery and modern love.

Aisling and Maya’s connection is unexpected. Maya has recently returned to the University of Edinburgh for her second year, confident in her place there and in her first proper relationship with her childhood best friend, Ethan. Finally, she is one of them, those happy couples, self-satisfied in the knowledge that they are one half of something solid.

Aisling is a first-year student from Ireland, ready to leave her controlling family behind. But despite the distance, she still feels claustrophobic, still feels watched. Reeling from her break-up with her ex-girlfriend, she struggles to make friends and finds herself isolated. That is, until Aisling joins the Poetry Society. That’s where she meets Maya, and everything changes.

Moving between Ireland, Scotland, and London, Something About Her is a story about the fragility and transformative power of first love. With vivid insight and tenderness, it exposes the fear, hope, and longing that can consume us, particularly when there’s so much you still don’t know about love, about life, and about yourself.

A phenomenal novel of resilience and survival from bestselling author of The Tattooist of Auschwitz, Heather Morris.

In the midst of World War II, an English musician, Norah Chambers, places her eight-year-old daughter Sally on a ship leaving Singapore, desperate to keep her safe from the Japanese army as they move down through the Pacific. Norah remains to care for her husband and elderly parents, knowing she may never see her child again.

Sister Nesta James, a Welsh Australian nurse, has enlisted to tend to Allied troops. But as Singapore falls to the Japanese she joins the terrified cargo of people, including the heartbroken Norah, crammed aboard the Vyner Brooke merchant ship. Only two days later, they are bombarded from the air off the coast of Indonesia, and in a matter of hours, the Vyner Brooke lies broken on the seabed.

After surviving a brutal 24 hours in the sea, Nesta and Norah reach the beaches of a remote island, only to be captured by the Japanese and held in one of their notorious POW camps. The camps are places of starvation and brutality, where disease runs rampant. Sisters in arms, Norah and Nesta fight side by side every day, helping whoever they can, and discovering in themselves and each other extraordinary reserves of courage, resourcefulness and determination.

Sisters under the Rising Sun is a story of women in war: a novel of sisterhood, bravery and friendship in the darkest of circumstances, from the multimillion-copy bestselling author of The Tattooist of Auschwitz, Cilka's Journey and Three Sisters.

A riveting account of women’s lives on the margins of the Vietnam War, from the renowned winner of the National Book Award.

You have no idea what it was like. For us. The women, I mean. The wives.

American women—American wives—have been mostly minor characters in the literature of the Vietnam War, but in Absolution they take center stage. Tricia is a shy newlywed, married to a rising attorney on loan to navy intelligence. Charlene is a practiced corporate spouse and mother of three, a beauty and a bully. In Saigon in 1963, the two women form a wary alliance as they balance the era’s mandate to be “helpmeets” to their ambitious husbands with their own inchoate impulse to “do good” for the people of Vietnam.

Sixty years later, Charlene’s daughter, spurred by an encounter with an aging Vietnam vet, reaches out to Tricia. Together, they look back at their time in Saigon, taking wry account of that pivotal year and of Charlene’s altruistic machinations, and discovering how their own lives as women on the periphery—of politics, of history, of war, of their husbands’ convictions—have been shaped and burdened by the same sort of unintended consequences that followed America’s tragic interference in Southeast Asia.

A virtuosic new novel from Alice McDermott, one of our most observant, most affecting writers, about folly and grace, obligation, sacrifice, and, finally, the quest for absolution in a broken world.

"Tim O'Brien is the one American author whose works I look forward to the most. His new novel's ironic depiction of a post-Iraq war, mid-COVID, and mid-Trump world is piercing and razor-sharp." --HARUKI MURAKAMI

An American Master returns: the author of The Things They Carried delivers his first new novel in two decades, a brilliant and rollicking odyssey, in which a bank robbery sparks "a satirical romp through a country plagued by deceit" (Kirkus, starred review)

Named one of Fall 2023's most anticipated books: New York Times, Associated Press, Esquire, Kirkus, Goodreads, LitHub, St. Louis Post-Dispatch, and more

At 11:34 a.m. one Saturday in August 2019, Boyd Halverson strode into Community National Bank in Northern California.

"How much is on hand, would you say?" he asked the teller. "I'll want it all."

"You're robbing me?"

He revealed a Temptation .38 Special.

The teller, a diminutive redhead named Angie Bing, collected eighty-one thousand dollars.

Boyd stuffed the cash into a paper grocery bag.

"I'm sorry about this," he said, "but I'll have to ask you to take a ride with me."

So begins the adventure of Boyd Halverson--star journalist turned notorious online disinformation troll turned JCPenney manager--and his irrepressible hostage, Angie Bing. Haunted by his past and weary of his present, Boyd has one goal before the authorities catch up with him: settle a score with the man who destroyed his life. By Monday the pair reach Mexico; by winter, they are in a lakefront mansion in Minnesota. On their trail are hitmen, jealous lovers, ex-cons, an heiress, a billionaire shipping tycoon, a three-tour veteran of Iraq, and the ghosts of Boyd's past. Everyone, it seems, except the police.

In the tradition of Jonathan Swift and Mark Twain, America Fantastica delivers a biting, witty, and entertaining story about the causes and costs of outlandish fantasy, while also marking the triumphant return of an essential voice in American letters. And at the heart of the novel, amid a teeming cast of characters, readers will delight in the tug-of-war between two memorable and iconic human beings--the exuberant savior-of-souls Angie Bing and the penitent but compulsive liar Boyd Halverson. Just as Tim O'Brien's modern classic, The Things They Carried, so brilliantly reflected the unromantic truth of war, America Fantastica puts a mirror to a nation and a time that has become dangerously unmoored from truth and greedy for delusion.

From one of America’s greatest, most creative novelists comes Again and Again, a poignant and endlessly surprising story about love lost, found, and redeemed
Eugene “Geno” Miles is living out his final days in a nursing home, bored, curmudgeonly, and struggling to connect with his new nursing assistant, Angel, who is understandably skeptical of Geno’s insistence on having lived not just one life but many—all the way back to medieval Spain, where, as a petty thief, he first lucked upon true love only to lose it, and spend the next thousand years trying to recapture it.

Who is Geno? A lonely old man clinging to his delusions and rehearsing his fantasies, or a legitimate anomaly, a thousand-year-old man who continues to search for the love he lost so long ago?

As Angel comes to learn the truth about Geno, so, too, does the reader, and as his miraculous story comes to a head, so does the biggest truth of all: that love—timeless, often elusive—is sometimes right in front of us.

#1 New York Times bestselling author John Grisham delivers high-flying international suspense in a stunning new legal thriller that marks the return of Mitch McDeere, the brilliant hero of The Firm.

What became of Mitch and Abby McDeere after they exposed the crimes of Memphis law firm Bendini, Lambert & Locke and fled the country? The answer is in The Exchange, the riveting sequel to The Firm, the blockbuster thriller that launched the career of America's favorite storyteller. It is now fifteen years later, and Mitch and Abby are living in Manhattan, where Mitch is a partner at the largest law firm in the world. When a mentor in Rome asks him for a favor that will take him far from home, Mitch finds himself at the center of a sinister plot that has worldwide implications--and once again endangers his colleagues, friends, and family. Mitch has become a master at staying one step ahead of his adversaries, but this time there's nowhere to hide.

2023 Barnes & Noble Discover Prize Winner
Longlisted for the Andrew Carnegie Medals of Excellence

A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years

"A stunning debut about love, race, brutality, and the balm of forgiveness." —People, A Best New Book

July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.

In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.

For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.

"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors." —The New York Times Book Review

Is living the life you’ve wished for really a dream come true?

Lucy Young is twenty-six and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, Lucy closes her eyes and wishes with all her might: Please, let me skip to the good part of my life.

When she wakes the next morning to a handsome man, a ring on her finger, a high-powered job, and two storybook-perfect children, Lucy can’t believe this is real—especially when she looks in the mirror, and staring back is her own fortysomething face. Has she really skipped ahead like she’s always wanted, or has she simply forgotten a huge chunk of her life? As Lucy begins to embrace new relationships and the perks of maturity, she’ll have to ask herself: Can she go back to her previous life, and if so, can she stand to leave the good part behind?

A lyrical, queer sci-fi retelling of Shakespeare's Hamlet as a locked-room thriller

A Twenty-First Century Hamlet.

Hayden Lichfield’s life is ripped apart when he finds his father murdered in their lab, and the camera logs erased. The killer can only have been after one thing: the Sisyphus Formula the two of them developed together, which might one day reverse death itself. Hoping to lure the killer into the open, Hayden steals the research. In the process, he uncovers a recording his father made in the days before his death, and a dying wish: Avenge me…

With the lab on lockdown, Hayden is trapped with four other people—his uncle Charles, lab technician Gabriel Rasmussen, research intern Felicia Xia and their head of security, Felicia’s father Paul—one of whom must be the killer. His only sure ally is the lab’s resident artificial intelligence, Horatio, who has been his dear friend and companion since its creation. With his world collapsing, Hayden must navigate the building’s secrets, uncover his father’s lies, and push the boundaries of sanity in the pursuit of revenge.